Aidan Lammers | The Curative Company

This is a living edit of vintage and secondhand home pieces I have personally selected for their character, craftsmanship, and ability to bring depth to a space. Each item is one of a kind or limited. None of it was chosen because it was trending. It was chosen because it was worth keeping. The collection spans glassware, ceramic objects, sculptural pieces, storage boxes, bowls, small furniture, vases, books, and wall decor - the kinds of things that make a surface or a shelf feel considered rather than filled. Most of it works across multiple styles because good objects tend to do that. A mid-century brass bowl belongs in a coastal room as easily as a maximalist one. A handmade ceramic vase works beside vintage glassware and beside something entirely new. Browse the full collection in our Etsy shop. Everything listed here is available now - stock is limited and does not replenish, so if something speaks to your space, it is worth acting on. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

I often work outside my office, and these are the coffee shops and spaces in and around Jefferson City I genuinely love for laptop work, creative thinking, and resetting my focus. This list highlights laptop-friendly cafés, inspiring interiors, good natural light, and calm atmospheres- places that make work feel less like work. Ideal for fellow creatives, remote workers, and anyone who appreciates well-designed spaces, great coffee, and intentional daily rituals.

Bring the understated elegance and playful Parisian style of Emily in Paris into your own home with this curated edit of décor, furniture, and styling accents. These pieces capture the look’s soft neutrals, sculptural shapes, and collected charm- blending classic French details with modern, lived-in style. Get more styling insight in my full breakdown of the Emily in Paris interiors.

A curated edit of home pieces inspired by Hobbit interiors and earthship architecture- defined by curved forms, natural materials, and warm, earthy tones. This interior design breakdown focuses on handmade ceramics, sculptural silhouettes, organic textures, wood, stone, and nature-driven design details suited for spaces that feel grounded, cozy, and intentional. Ideal for lovers of organic modern interiors, earthy home decor, natural styling, and lived-in spaces with character.

The Owens house in Practical Magic is the kind of home that makes a person stop mid-scene and ask where they can live there. It is a Victorian on a hill with a greenhouse attached, a kitchen built for midnight margaritas, and a bedroom that looks like it has been gathering beauty slowly for a very long time. The whimsy is real but so is the warmth. Nothing about it reads themed or deliberately witchy- it reads like a house owned by women who have lived fully and kept the things that matter. The design language moves between two registers. The bedroom and living spaces are Victorian in structure - ornate woodwork, pleated lamp shades, floral wallpaper, embossed bedding, a secretary desk in the corner. The kitchen and workroom are warmer and more farmhouse in spirit - copper cookware, pine needle baskets, ceramic jars, the open shelves of a household that uses everything it keeps. Both spaces feel inhabited by people rather than staged for admiration. This list is organized by category and covers both registers. Whether you are drawn to the bedroom's quiet Victorian beauty or the kitchen's abundant, handmade warmth - or both at once - these are the pieces worth starting with. Read the full room-by-room breakdown on the blog for more context on how the house comes together. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

The Holiday works as a film in large part because both houses are so specifically right for their owners. Iris's Surrey cottage is low-ceilinged and floral-curtained and full of the accumulated warmth of someone who has lived somewhere long enough to stop noticing how beautiful it is. Amanda's LA house is the opposite - high ceilings, clean lines, shagreen trays and glass pendants and a level of considered restraint that reads less like minimalism and more like someone who makes decisions very precisely. Both aesthetics are worth borrowing from. The cottage register is warm, layered, and deeply English - antique rose curtains, a rattan tray on the coffee table, a Victorian bed frame, a whistling kettle on the counter. The LA register is cleaner but not cold - textured dark curtains, a shagreen serving tray, a glass cage pendant over the dining table, architectural wall sconces, and a white ceramic lamp that earns its nightstand space. This list covers both. Several items from our own Etsy shop are included - vintage pieces that work in either world, chosen for character and craftsmanship. Read the full styling breakdown on the blog for more on how each house translates to a real space. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Baz Luhrmann's 1996 Romeo and Juliet set the standard for what it looks like when a classic story gets a complete visual reinvention. The fictional Verona Beach is baroque and overlit and fully committed to its own excess - the Capulet mansion draped in deep reds and gold, religious iconography crowding every surface, columns and angel statues and chandeliers doing theatrical work in rooms that feel like they exist slightly outside of time. The interiors split clearly between two registers. The Capulet world is opulent and dense - Oriental rugs, velvet curtains floor to ceiling, sacred heart boxes and gilded objects, the kind of maximalism that reads as inherited wealth expressed without restraint. The Montague rooms are cooler, more contemporary - sage and grey, cleaner lines, the same theatricality but pointed differently. Both are dramatic. The difference is in where the drama comes from. This list covers both worlds, organized by category so you can shop toward whichever register speaks to your space. A room does not need to choose one family - borrowing from both is where the most interesting interiors live. Read the full film analysis on the blog for more on the design language of each household and how it reflects the story. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

The March house in Greta Gerwig's Little Women is not a grand house. It is a full one. Every room holds the evidence of a family that reads, makes things, puts on plays in the parlor, and does not have quite enough of anything - except each other. The damask wallpaper is slightly faded. The quilts are layered rather than folded. The mantle clock has been there longer than anyone can remember. The light comes mostly from lanterns and the fire. The interior design across the film is organized by room and by character - the dining room bright and communal with blue and white wallpaper, Marmee's bedroom warm and grey-brown, Jo and Meg's room floral and lived-in, the sitting room layered with books and throws and the accumulated objects of a life actively being lived. What makes it work is that none of it looks decorated. It looks inhabited. This list is built room by room, following the film's logic. The pieces are warm, botanical, slightly worn at the edges, and entirely comfortable with themselves. Read the full interior design analysis on the blog for more context on each room and the design choices that make them feel so specific to the March sisters. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

The sets of Poor Things operate on a logic that is just slightly off from the real world. Everything is period-correct in its individual parts but assembled in combinations that shouldn't work and do entirely. Burnt orange velvet beside green marble. A grandfather clock in a room that has no particular reason for one. Toile wallpaper behind furniture that belongs in a surgeon's laboratory. The surrealist aesthetic is not chaos — it is control applied in unexpected directions. Yorgos Lanthimos and production designer Shona Heath built rooms that feel simultaneously familiar and wrong in the best possible way. The Victorian bones are real — wainscoting, ornate lighting, heavy curtains, tufted upholstery. But the color choices push into territory that period-correct Victorian rooms would never occupy. Burnt orange. Acid green. Blue round rugs on black Tadelakt. A clay bust on a side table beside a rope lamp. This list is for the room that wants some of that energy — the bold color, the sculptural object, the lighting fixture that reads almost scientific, the organic form that interrupts the expected. You do not need a fish-headed creature on the stairs. You just need to commit to a color and trust the pieces. Read the full surrealism interior design guide on the blog for more context on how to translate the Poor Things aesthetic into a real space. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

The Fisher beach house in The Summer I Turned Pretty is a home that has been used for decades and shows it in the best possible way. Sun-bleached wood, linen that has been washed too many times, blue and white ceramics that have been on the same shelf since the nineties. It is the kind of interior that only happens when a family keeps coming back to the same place every summer. Nothing matches exactly. Everything belongs. The aesthetic is coastal without being nautical - there are no ship wheels or decorative anchors. Instead the seaside shows up in the palette: cream, sandy beige, ocean blue, warm white. In the materials: jute rugs, rattan, weathered wood, linen. In the objects: handmade pottery, vintage brass frames, a bamboo magazine rack by the sofa, a clam shell bowl on the coffee table that has been there so long nobody remembers where it came from. This list is for the room that wants to feel like a family summer house — lived in, layered, and quietly considered. The kind of space that makes everyone want to stay a little longer. Read the full styling guide on the blog for more on how the show's design captures that feeling and how to bring it home. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

The Star Wars universe has always understood one thing that most sci-fi gets wrong: the future has texture. Spacecraft that look like they have been repaired a dozen times. Cantinas with dim lighting and mismatched stools. Control rooms with surfaces that feel tactile and analog despite being entirely fictional. The design language is retro-futuristic - grounded in the space age aesthetic of the 1960s and 70s, then projected forward into something stranger and more worn. This list translates that aesthetic into objects for a real home. It is not a merchandise list. It is a curated take on what the Star Wars visual world looks like when you strip away the IP and focus on the underlying design sensibility: chrome and sculptural metal, orb lighting, clean-lined seating in cream and white, objects that look like they belong aboard something. Vintage Italian space age furniture. Modernist Scandinavian metalwork. Pieces that feel like concept art made real. A few items here do reference the franchise directly - a TIE Fighter frame, a Death Star outlet cover, a Star Wars tower lamp - for the room that wants to make the reference explicit. The rest is about the aesthetic the films drew from, which was already worth collecting before George Lucas got to it. Read the full styling guide on the blog for more on how to build this look room by room.

The homes in Bad Sisters feel like they've been lived in for decades and styled by no one in particular. That's what makes them work. Stone floors, floral curtains that might have been there since the 1980s, a mismatched dining set that somehow holds the whole family together. The Irish coastal setting does a lot of the work- soft light, muted greens, everything slightly damp and entirely warm. The Garvey sisters' interiors aren't aspirational in the conventional sense. They're honest. Full of things that have accumulated over time, objects that are useful and beautiful in equal measure. The kitchen is where the real living happens. The curtains are a little too floral. The glassware is vintage and slightly mismatched. There is always a candle somewhere. This list pulls the pieces that capture that feeling- natural materials, warm pops of color against muted walls, handmade ceramics, and the kind of textiles that feel like they were found rather than purchased. Read the full styling breakdown on the blog for more context on the show's design and how it translates to a real home. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Carrie Bradshaw's apartment shouldn't work on paper. A freelance writer in a one-bedroom walk-up in the West Village, somehow with closet space for what is essentially a fashion archive and a writing desk that looks like it belongs in a Parisian salon. And yet it works completely. Because it's not designed. It's collected. Layer by layer, object by object, over time. That's the thing about this aesthetic. The green walls, the runner in the entryway, the coffee table stacked with books, the perfume print above the desk - none of it is asking for your approval. It's just already decided. Bold color choices, furniture with character, art that means something. The apartment reflects someone who has strong opinions about how to live and has been quietly acting on them for years. This list captures the pieces that get you closest to that feeling. Whether you want to build toward the whole look or just borrow a few notes from the palette, start here. Read the full styling breakdown on the blog for more on how Carrie's apartment translates to a real space. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Bridget Jones's flat is not aspirational in the conventional sense. It's small, slightly chaotic, and full of things she's clearly had for years. That's exactly what makes it work. The apartment feels inhabited rather than decorated- a place where the furniture doesn't match, the lampshade has a fringe, and there's always a reason to put the kettle on. This list pulls the pieces that capture that register. Warm, slightly imperfect, layered with color and personality. The kind of space that feels like someone actually lives there and has opinions. Vintage finds sit alongside accessible new pieces. Nothing is trying too hard. Everything is just a bit more interesting than expected. If you've watched the film and spent more time looking at the apartment than the plot, this list is for you. Read the full styling breakdown on the blog for more on how Bridget's design choices translate to a real space. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Killing Eve isn't background television. The interiors are as precise as the plot - every space a direct extension of whoever lives inside it. Villanelle's rooms are theatrical and deliberate. High ceilings, gold accents, silk textures, something slightly unnerving on the shelf. Eve's spaces are quieter but never clean. There's always something collected, slightly undone, waiting. This list pulls from both worlds. Pieces that feel European and dressed. Objects that carry weight. Lighting that flatters rather than floods. It's a look that reads luxurious without being stiff — the kind of room that suggests a person with very specific taste and absolutely no interest in explaining it. Whether you want to lean into the drama or just borrow a few notes from the aesthetic, these are the pieces worth starting with. Read the full styling breakdown on the blog for more context on how the show's design choices translate to real spaces. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Some spaces feel like a person- layered, a little imperfect, entirely alive. Pia's apartment in the Amazon Prime film "Picture This" is that kind of space: a loft full of vintage cameras, warm textiles, Indian heritage woven into every corner, and furniture that looks collected rather than purchased. This list pulls the pieces that capture that feeling- brass objects, carved wood, handmade textiles, and a few key furniture finds that work just as well in a small apartment as they do in a sun-filled loft. It's maximalism with intention, not chaos. Whether you watched the film and wanted to move in immediately, or you're just building toward a more layered, personal space-this is a good place to start. Read the full styling breakdown on the blog for more context on how it all comes together. This list contains affiliate links. If you choose to purchase any of these items, I may earn a small commission at no extra cost to you.

Inspired by the romantic interiors and Regencycore design seen in Bridgerton, this curated guide highlights decorative objects, furniture, lighting, and textiles that help bring that elegant, layered look into modern homes. For a deeper analysis of Bridgerton’s interior language and styling ideas, read the full blog post.