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Love Outside the Lines: 12 Golden Age Rom-Coms That Broke the Mold

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A list of classic romantic comedies from Hollywood’s Golden Age that challenged traditional relationship roles and defied the expected.
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Cross-Class Love Stories

These romances bloom across economic divides, poking fun at class while pulling at the heartstrings.

 
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A wealthy socialite hires a "forgotten man" as her butler, not knowing he has secrets of his own.
My Man Godfrey (1936)
 
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A chauffeur’s daughter returns from Paris and catches the eye of the rich family’s playboy—and his serious older brother.
Sabrina (1954)
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A con artist targets a naïve millionaire but ends up falling for him (twice).
The Lady Eve (1941)

Love in Disguise

From mistaken identity to full-blown masquerade, these films find romance through deception and surprise.

 
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Actors in Nazi-occupied Poland use theater—and romantic misdirection—to survive and resist.
To Be or Not to Be (1942)
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A woman is pursued by multiple men claiming to be someone else, all while falling for a charming stranger.
Charade (1963)
 
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A runaway princess experiences a day of freedom with an American reporter who knows her secret.
Roman Holiday (1953)

Power Couple Dynamics

These romances feature women who aren’t damsels and men who aren’t threatened by it (well, not for long).

 
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A showgirl is educated to fit into Washington society—and learns to stand up to her corrupt boyfriend.
Born Yesterday (1950)
 
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A strong-willed Swedish maid runs for Congress and charms a political elite in the process.
The Farmer's Daughter (1947)
 
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A plumber’s niece who won’t stay in her lane meets a refugee professor in a whimsical class clash.
Cluny Brown (1946)

Age, Ambition & Odd Timing

Not all love stories happen when—or how—you expect them to.

 
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A young woman pretends to be a femme fatale to catch the interest of an older playboy.
Love in the Afternoon (1957)
 
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A soldier on leave falls for a stranger in New York City in a whirlwind 48-hour romance.
The Clock (1945)
 
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A married couple reflects on love and loss, trying to decide if their relationship is worth saving.
Penny Serenade (1941)