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Production Ready: My Essential Kit
16
items As a visual worker and professional videographer, I rely on gear that consistently delivers under pressure. This list contains my absolute essentials—from reliable data management to the everyday carry items that keep my production workflow running s...
Sections
6
The Core Gear
Storage & Backup
Audio & Monitoring
Power & Everyday Carry
Field Maintenance & Set Utilities
Post-Production & Digital Assets
The Core Gear
The foundation of my production setup. These are the primary tools I reach for first when I need to capture clean, sharp, and high-quality visuals for any professional project.
My go-to ultra-wide lens for establishing shots and tight indoor spaces. The Zeiss glass delivers that signature contrast and sharpness, and the f/4 aperture is perfectly fine for my gimbal and stabilizer work. It rarely leaves my camera during dynam...
Sony 16-35mm Vario-Tessar F4 ZA OSS Lens
The ultimate portrait and interview lens. The subject isolation and bokeh at f/1.4 are incredibly beautiful. It's a bit heavy, but the optical quality and the famous Zeiss '3D pop' it gives to my footage make it absolutely worth every penny.
Sony SEL50F14Z Planar T* FE 50mm f/1.4 ZA Lens
My absolute workhorse for both photography and videography. It handles multicam setups effortlessly, and the low-light performance is a massive lifesaver for documentary and promotional shoots. I can't recommend it enough.
Sony a7 III ILCE7M3/B Full-Frame Mirrorless Camera
If I could only bring one lens to a shoot, this is it. It's incredibly sharp, versatile for almost any framing, and perfect for the dynamic run-and-gun shooting I do on a daily basis.
24-70mm F2.8 DGDN II for Sony E
Storage & Backup
Data security and transfer speed are critical in my workflow. I rely on these storage solutions to handle heavy 4K footage and project files without any bottlenecks or risks.
This is my go-to card for shooting 4K video. It’s incredibly fast, so I never have to worry about dropped frames, and it's extremely reliable for long shooting days. The 128GB capacity hits the perfect sweet spot.
SANDISK 128GB Extreme PRO SD UHS-I Card
This is a massive upgrade for my workflow. With speeds up to 2000MB/s, offloading heavy 4K footage takes seconds instead of minutes. It’s incredibly rugged, stays cool during long transfers, and gives me complete peace of mind when I'm working on loc...
SANDISK 1TB Extreme Portable SSD USB-C
Audio & Monitoring
Capturing crisp audio and ensuring accurate framing is non-negotiable. These tools give me the technical confidence I need to focus entirely on the story while on set.
A crucial tool for pulling focus and checking exposure on set. It makes framing cinematic shots so much easier compared to looking at the tiny built-in camera screen, especially when shooting in bright daylight.
Atomos Ninja 5.2" 4K HDMI Monitor Kit V2
Good video is nothing without good audio. This wireless mic setup is compact, connects instantly, and sounds incredibly crisp for interviews and promotional videos. The charging case is a brilliant touch.
DJI Mic Mini 2 TX + 1 RX Wireless Lavalier
Power & Everyday Carry
Built for a life on the go. Whether I’m commuting across Jakarta or shooting all day in the field, these gear essentials keep me powered up and organized.
You can never have too much power on set. These original batteries hold a charge incredibly well, making sure my A7 III survives a full day of shooting without constantly needing to swap them out.
Sony NPFZ100 Rechargeable Battery for Alpha A7 III
Since I commute via rail across the city everyday, I need a bag that protects my gear but doesn't look bulky. This fits my A7 III, lenses, SSDs, and laptop perfectly while keeping everything instantly accessible.
Peak Design Everyday Backpack 20L, Black
Field Maintenance & Set Utilities
The unsung heroes of my kit. These practical, rugged tools ensure my equipment stays clean and that I'm always prepared to solve any unexpected issue during a shoot.
An absolute must-have in every camera bag. I use this constantly to safely blow dust off my lenses and camera sensor without risking any scratches. The large size pushes a massive amount of air.
Giottos AA1900 Rocket Air Blaster Large - Black
You can never have enough gaffer tape on set. It holds down cables, marks talent positions, and temporarily fixes almost anything without leaving that annoying sticky residue behind. A true lifesaver.
Pro Gaffer Gaffers Tape, 2 in x 55 yd, Black
I keep a stack of these handy for absolutely everything—wiping down gear, cleaning monitors, or drying off equipment. They are super soft, highly durable, and don't leave any lint behind on my lenses.
Microfiber 16x16 All Purpose Towels 50 Pack
Post-Production & Digital Assets
Where the final look comes together. I use this specific combination of software and high-quality digital assets to push my editing efficiency and color grading to a professional level.
When a project needs serious cinematic color grading, this is my ultimate go-to. The node-based workflow and advanced color wheels give me the precise, moody cinematic look I want for my personal projects.
Blackmagic DaVinci Resolve 14 Studio Key
The absolute backbone of my post-production workflow. Whether I'm cutting a quick promotional video or doing heavy multicam edits for work, this is the tool I rely on daily to get the job done.
Adobe Premiere Video Editing Software 12-Month
I frequently use their premium LUTs and animated elements to speed up my editing process. They provide a fantastic starting point for color grading and instantly add a high-end, professional feel to my videos.
Cinematic Film LUTs