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Start with the big picture: how fibre, dye and trade connected distant places long before anyone spoke of “global design.”










Carpets, flatweaves and embroideries from Anatolia, Iran, the Ottoman world and Central Asia, read through their structure, materials and makers.















Mordant-painted cotton from India and Japan's shaped-resist dyeing and hand-stitching: three distinct crafts, each with its own vocabulary.










No single “African pattern”: strip-woven kente in Ghana, mud-dyed bogolan in Mali, and many other traditions, each named by place and maker.








How nineteenth-century British designers studied the world's ornament, and what they made of it.





