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The stuff that gets you from "phone in hand" to actually ready to shoot, checking your pose, setting up the tripod, steaming your outfit, and having your measurements on hand for the card itself.






































Good light is the difference between a comp card that looks professional and one that looks like a bedroom selfie. These are the pieces that get you even, flattering light without hiring anyone.




























A plain, distraction-free background is non-negotiable for comp cards, and it's the easiest thing to fake at home if you've got the right setup.


















The smaller extras that make shooting easier once the basics are sorted, wider shots in tight rooms, smoother movement if you're filming too, and a last pose check before you hit record.










